
Contents
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Knights are women Knights are women
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Wishing machines Wishing machines
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Iwein Iwein
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‘No-one’s mouth speaks other than as his heart instructs him’ ‘No-one’s mouth speaks other than as his heart instructs him’
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Boredom and adventure Boredom and adventure
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Growing up Growing up
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Mumbo-jumbo and arguments Mumbo-jumbo and arguments
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Women are knights Women are knights
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Simple mathematics Simple mathematics
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Giants and double knights Giants and double knights
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The knight with the lion The knight with the lion
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Voices and hearts Voices and hearts
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5 ‘Adventure? What Is That?’ On Iwein
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Published:September 2017
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Abstract
Felicitas Hoppe gives an introduction to the art of adapting medieval poetry that is in itself a poetic work. In 2008, Hoppe adapted Hartmann von Aue’s Arthurian romance Iwein into a highly successful young adult novel. She speaks about this experience and about the art of adapting medieval literature more generally: about encountering popular images of knights looking like ladies and about inverted gender roles in Hartmann’s romance; about history as produced by wishes; about finding Iwein by chance in a bookshop and being captivated by its beauty; about the romance’s surprising timelessness in its psychologically astute characterisation, its sensible rationality and its uncompromising morality; about the dialectic between boredom and adventure, between the desire to grow up and the fear of growing up in all good children’s books (and Arthurian romances); about the relationship between honour and masculinity in the romance code of values; about Iwein’s insistence on physicality; and about narrative techniques for modernising the text (including the introduction of Iwein’s companion, the lion, as the narrator). As a whole, Hoppe’s piece is a remarkably sensitive analysis of how and why aspects of medieval literature exert a fascination on creative minds. It compellingly demonstrates the wealth of insights that adaptors of medieval texts gain, which can complement and inspire those of literary critics.
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