
Contents
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Indian Acts in Fifty-Six Frames Indian Acts in Fifty-Six Frames
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An Accumulation of Beadwork An Accumulation of Beadwork
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Redaction as Materialized Relations Redaction as Materialized Relations
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An Accumulation of Paperwork An Accumulation of Paperwork
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1876 1876
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1951 1951
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Conclusion Conclusion
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Cite
Abstract
This chapter uses Nadia Myre’s beaded artwork Indian Act as a frame for examining the various iterations of the Indian Act (in particular, 1876 and 1951) and how the Act defined certain Indigenous peoples as status Indians, a method of classification and assimilation. Status Indians were rendered visible to the state and able to access treaty-owed benefits, while Indigenous peoples who were excluded or who lost status were illegible, effectively erased or canceled. This chapter investigates how paperwork documents operate as proof to Indian agents, validating themselves and the ways of seeing they establish. Myre’s collectively beaded work uses its own methods of inscription and redaction to focus the viewer both on the materiality of the Indian Act and on the idea of Indian as a limited means of state seeing.
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