Drawing on published references to copyright payments made to authors between 1701 and 1800, this article matches each payment to the published book and calculates the value of payments to authors relative to the number of sheets each copy required and correlated to the sale price for the book. Although a relatively small sample of just over 400 titles, the study shows that entertainment was generally more rewarding for authors than history, philosophy and sermons, while booksellers made good returns on practical and informative works. Booksellers’ valuations of works align surprisingly well with subsequent critical assessments of the quality of the works, indicating a high degree of discrimination and taste within the booktrade. The full spreadsheet of data for the study is freely available online at https://goo.gl/TzQnYO.

Although there have been extensive critical studies of the laws and conceptual understandings of early modern copyright in the past few decades, less attention has been devoted to the authorial payments that followed from those developments.1 Studies of individual authors or genres have collected details of payments to authors, but no comparative study of the values of those payments exists.2 This essay assesses 439 examples of copyright payments about which we know enough to match the payment to a particular edition of a book, so that we can ascertain the book's physical format and construction and thus estimate a publisher's expenses relative to the price paid for the copy. We offer some comparative context for this data within the larger body of publications across the century, in order to gauge the degree to which these results are representative. We review trends in authorial payments in relation to genre, gender, format, and period of publication. We also compare authorial payments and book prices to general economic patterns of the century to assess the extent to which book prices behave like luxury or everyday commodities.3 Finally, we provide tables of our data in an appendix for others to draw on and to extend. We thus hope to enrich our understanding of the economic realities of authors and publishers in eighteenth-century Britain.

In his 2004 book, The Reading Nation in the Romantic Period, William St. Clair argued that ‘we need to compile a cumulative, accurate, database of actual recorded costs, prices, print runs, methods of manufacture, and sales of books, including imports, reprints, adaptations, and abridgements. The production information can be supplemented with reports of actual reading and fictional representations’.4 St. Clair provides a number of appendixes gathering material for the later eighteenth and early nineteenth centuries.5The Reading Experience Database at the Open University has also made progress in gathering accounts of both actual and fictional reading experiences.6 We hope that this essay provides further bases for more accurate and detailed analysis of eighteenth-century British authorship as a profession.

Methodology

After scouring a variety of printed sources for references to authorial payments for works, each item has, if possible, been associated with a specific record in the English Short-Title Catalogue (ESTC) and details sought on the book's original sale price. ESTC provides publisher and pagination details, though for multi-volume sets we have had to consult a physical or digital copy to determine page numbers. While this research was being conducted, ESTC also added references to the Bowyer Ledgers, and those items have additional notes indicating payments to the printer and, if available, the size of print runs.7 We too often found ourselves lacking one or more crucial pieces of data, so that there are numerous other payments in the eighteenth century about which we know something, but not enough to be able to contextualize the payment fully in order to compare it with other payments. There are also a number of other types of payments that could contribute to an author's income or find their way into discussions of publishing? gifts to authors from patrons, payments to authors by subscribers, payments to dramatists and musicians for performance rights, and payments among booksellers for shares in particular titles. None of these is examined here, though we do briefly discuss the potential influence of patronage.8

In addition to the physical details of the work and the financial arrangements for its publication, the appendiced table records sources and is arranged alphabetically by author. The genre classifications are also presented in a simplified set in order to enable comparison with a much larger dataset, the titles in Gale Publications, digitized microfilm set, The Eighteenth Century, better known now by its digital title, Eighteenth-Century Collections Online (ECCO), and divided into two parts, ECCO I and ECCO II. The genre data used here combines data from the two parts, to cover 87,741 editions, out of the approximately 340,000 editions we believe to have been produced in the eighteenth century in Britain or in English outside Britain.

How Representative are these Records?

Thanks to the care and accuracy of the data in the English Short-Title Catalogue, we have a fairly accurate picture of the number book editions published in the eighteenth century.9

Figure 1 shows alongside the percentage of records in our data for each decade the percentage of dated records in the ESTC for that same period. A graph for each individual year of the century is less smooth, because many works have estimated dates and those estimates cluster around the decade and half decade years, creating spikes across the graph. However, when you aggregate the ESTC data by decades, what results is a relatively smooth rising curve from the 1750s on, with a slight dip in the 1720s and 1730s. A graph in twenty-five-year segments makes it even more apparent that in fact there was no growth until after 1750 (the total number of editions for the first two quarter-centuries is exactly the same, 57,004). So we have a clear context for our data, and what is most obvious is the relatively high number of titles in our data that were published in the first half of the century. This is directly attributable to two sources: John Nichol's Literary Anecdotes (where he records payments from Bernard Lintot to a large number of authors, primarily literary figures, in the first two decades of the century) and Judith Milhous and Robert Hume's study of dramatic publications that also includes data on a reasonable number of authors from earlier in the century.10 While we would prefer data that more evenly paralleled the proportions across the century, our economic analysis shows that the year of publication is not a significant determinant of price per sheet, and that payment per sheet at the beginning of the century is not significantly different from payment per sheet at the end (only the middle period is different). Over-sampling at the beginning of the century and under-sampling at the end do not therefore undermine our conclusions.11

Our data also differs from the ESTC data in that more of our examples relate to smaller format books, due in part to the bias in the sources we have drawn upon, which have often focussed on literary works (Fig. 2).

However, in so far as there is a trend across the century, it is away from large format works in favour of smaller formats, while the cost pressures on publishing in the later part of the century also seem to have encouraged printing in smaller formats.12 One of these pressures was payments to authors, which rose fairly consistently (though with much variability depending upon the genre of the book), so that the most interesting variations in copyright payment arrangements are likely to occur in relation to smaller format works.

While data for genres of books published across the century are less detailed than for format and number of editions, it is still possible to draw some useful comparisons. ECCO attempted to classify all of the works it digitized into eight general groupings.13 We have further reduced those to only four, because the ECCO categories are not entirely reliable and because our data set does not include all genres of works. Figure 3a shows the genres of the works in ECCO divided into the four categories we have used, but with segment lines to indicate the breakdown of all eight of its categories.14Figure 3b shows the genres of the works in our data set.

In comparing these two graphs, the literary bias of our data becomes glaringly obvious, while religion is correspondingly underrepresented. It may be that there were relatively fewer copy payment agreements for religious works, since many of the authors may have been happy to see their work published without payment, though some of the payments that we do know about for sermons are significant.15 Reference works, probably the genre most frequently commissioned by booksellers, and thus most likely to have involved a contract and a payment to the author or compiler, are regretfully underrepresented, primarily, we suspect, because their authors were often little-known figures whose correspondence or records are unlikely to have been preserved, or, if they have survived, to have been studied. The major sector of publishing not reflected here, of course, concerns the publication of reprints, texts for which the booksellers did not have to pay copyright fees. it is there that one has to look for more affordable print products in the last quarter of the eighteenth century.16

If we separate the data along gender lines and further subdivide the literature category (Figs 4a and b), we can also see that the association of women with prose fiction (usually represented disparagingly) has some basis in economic reality, though women were also quite active in theatre.

The segments in this graph do not correspond to the genres in the previous two graphs—because the instances are so often literary, we have broken down the literature into three divisions of verse, drama and fiction, with an additional slice for criticism for men. Thin parallel horizontal shading represents the non-fiction (corresponding to 75% of the ECCO graph: history, social science, medicine/science/technology, law, general reference, religion and philosophy). Clearly women for whose works we know copyright payments wrote a lot of fiction, and there is probably some validity in Smollett's representation of the publishing world in Humphry Clinker (1771). The main narrator, Jery, shares a Sunday meal with a crowd of writers in London, including?

Tim Cropdale, the most facetious member of the whole society, [who] had happily wound up the catastrophe of a virgin tragedy, from the exhibition of which he promised himself a large fund of profit and reputation. Tim had made shift to live many years by writing novels, at the rate of five pounds a volume; but that branch of business is now engrossed by female authors, who publish merely for the propagation of virtue, with so much ease and spirit, and delicacy, and knowledge of the human heart, and all in the serene tranquillity of high life, that the reader is not only inchanted by their genius, but reformed by their morality.17

There are indeed five two-volume novels published after 1770 in the records, for which their authors were paid ten guineas or less, all by men, anonymously, and one slightly earlier, by a woman, Phebe Gibbes's Francis Clive (1764; 5 guineas). The only other works sold for such low rates were translated works and an edition, published in 1726 by Edmund Curll, of Andrew Marvell's poems.

When we break down the titles in the dataset by format (folio, quarto, octavo and duodecimo) and by genre of author, what becomes apparent is the increasing activity of women as professional authors, the rise in popularity of smaller formats, and the disproportionate likelihood that a woman author would publish in one of those smaller formats (Table 1).18 The rise in particular of the duodecimo format meant that publishers could publish books with more pages, but printed on fewer sheets of paper, and reduce production costs. Whether the move to smaller formats also represents a reduction in the prestige of literature rather than just a pragmatic response to the greater length of prose fiction works is debatable, but the association of women with the smaller formats (and those formats’ generally lower payments per sheet no matter what the genre) does indicate some social or market pressure against valuing prose, and especially fiction, as highly as drama or verse.17

The higher financial value placed upon drama and verse is very clear in this graph of average payments per sheet (Fig. 5), but the graph also provides further insights into the world of prose publishing.20 The typical payments for non-fiction and fiction part company from mid-century, with the average payment per sheet for non-fiction paralleling and then slightly surpassing the average while fiction drops in the last twenty-five years of the century. Given the very high payments for works such as William Robertson's History of the Reign of the Emperor Charles V (1769; £3400) and Edward Gibbon's Rise and Fall of the Roman Empire (1776; £4000), one would naturally expect history to figure as an important genre within non-fiction. A sufficient number of payments for historical works exists in the records to track trends in the discipline reasonable confidently, with the dashed line in Fig. 5 indicating that for much of the century historical writing brought authors even less income per sheet than fiction.21 The data thus afford us a much clearer picture of the realities of publishing in this period than do the famous examples, most of which were notorious precisely because they sold for extraordinary amounts.

It is worth considering briefly other means by which an author could realize income from publication. Although Samuel Johnson had declared the end of patronage, it is clear that authors still at least hoped that dedications might encourage the person honoured to offer a gift of either money or other professional support.22 Nonetheless, in these cases where we know an author's payment, the trend away from dedications is apparent (Fig. 6). What is more surprising, however, is the frequency with which women, as they became more active as professional authors, dedicated works. Of the ten titles with dedications in the last decade of the century, six were written by women, and all six were duodecimos. Small of stature had clearly come of age, at least for books by women authors. Our data cannot distinguish the extent to which women were composing dedications as a means to elicit financial or professional rewards versus using dedications to invoke the authority of the dedicatee in order to validate the act of publishing, but the trend warrants further investigation.

Wilcoxson Test Data
Fig. 7

Wilcoxson Test Data

Implications

Even though this compilation of author payments is a reasonably large dataset for the early modern period, any general conclusions have to be somewhat tentative. The main caution is that it is always best to compare like genres and formats in seeking trends over time. For example, although the average cost of books rose in value across the century, it was not until 1796 that booksellers managed to budge the price of a play from is 6d to 2s. The sole exception to this rule was John Dennis's tragedy, Appius and Virginia (1709), published in quarto at 2s 6d. Dennis's is by no means the only quarto play in the records, though most are octavo, but it is the only one to exceed the standard price for nearly the entire century.23

The second major caution is that literary genres dominate this data despite our best efforts to locate payments for other genres. The highest payment/price ratio is for James Thomson's poem Liberty (1735–36), closely followed by Elizabeth Raffeld's Experienced English Housekeeper (1769), but Raffeld easily tops the list for the payment:sheet ratio, followed at a fair distance by John Hawkesworth for his three-volume edition of An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere (1773). Given this generic variety among the top titles, it is clear that both booksellers and customers valued practical and informative works as well as literary works, even if we do not have as many examples on which to base our findings.

Despite these limitations, we can still draw some reasonably sound conclusions. The first of these is that authorship became an increasingly viable profession over the course of the century, though not necessarily a well-paid one. As a general rule, entertainment (in the form of plays and novels) was more rewarding for authors, but brought the booksellers less per sheet than practical and historical works. The most lucrative genres for authors as measured by the payment/sheet ratio were drama (topped by tragedy, then comedies, afterpieces and operas), followed by medicine and then satire. The worst-paid genres were philosophy, law, politics, history, and criticism, though history did improve its standing in the latter part of the century.

Publications in verse retained prestige until nearly the end of the century, and, on average, were in turn outranked by drama, as witnessed by William Whitehead's payments of about ten guineas for each of four poems published between 1741 and 1744 versus payments of about one hundred guineas for each of his three plays published between 1750 and 1762. The most successful fiction titles were the novels of Frances Burney and Anne Radcliffe, whose receipts testify to the value of a high reputation. Burney initially received a below-average payment of twenty guineas for Evelina in 1778, followed by a quite good payment of £250 for Cecilia in 1782, and the impressive sum of £1000 for Camilla in 1796.24 Radcliffe received £500 in 1794 for The Mysteries of Udolpho, and then £800 for The Italian three years later. In both of these women's cases, the payments were in inverse relation to the critical reputations of their novels, and the same applies to Henry Fielding, who received far more for Amelia (1751) than Tom Jones (1749). On the other hand, given the fairly large number of novels published in the century, it is impressive to note that of the thirteen novels for which authors received more than £200, only Samuel Jackson Pratt and John Moore seem unusual company among Henry Fielding, Frances Burney, Laurence Sterne, Tobias Smollett and Anne Radcliffe. It would appear that booksellers were actually extremely good at judging quality, even if the payments did not reflect the relative quality of individual works by each author.25

The data also highlight the financial value placed on originality (as opposed to compilations, translations or editions), an economic reality that also became an aesthetic reality over the course of the century. Translations in general were not well remunerated, though there were exceptions. All of the sixty-one translations identified were composed by men, even the translation of a 1787 French novel, The Conversations of Emily, for which Lewis Lyons was paid five guineas. There was a hierarchy of languages, with French being the least rewarding to translate, though Fenelon's Telemachus brought Smollett £70 in 1767. Translations from Latin and Greek classics were often more valuable, most notably Pope's Homer, but also James Hampton's translation of Polybius's General History (1756) at 250 guineas, William Melmoth's translation of the Letters of Cicero at £600, and John Gillie's translation of Aristotle's Ethics and Politics (1797) at £400 for the first edition. Sacred Writ similarly proved valuable for Anthony Purver, the rights for whose New and Literal Translation of the Old Testament sold for £1000 in the mid-1760s. The one European vernacular work that rewarded its translator well was William Julius Mackie's 1777 translation of Luis de Camöes’ Lusiad, sold for £1000. Epic poetry apparently still retained prestige even in translation.

As a whole, the values of payments and the prices of books both behave more like luxury items than like commodity prices, rising higher than the broader economic cycle and falling faster. This economic reality may offer a further caution against too readily assuming that print became an essential part of daily life during the eighteenth century in Britain. While literacy rates did increase dramatically over the century, the size of print runs for trade books (as opposed to school titles or worship books) held fairly steady at around 750 copies per edition. More people were reading, but they were more likely to be reading the numerous newspapers and periodicals that became widespread in this period than to be buying their own books. Books became more numerous over the century, but also more expensive per sheet, and so still represented a significant cost for most people.

Nonetheless, booksellers clearly worked hard to meet their markets, experimenting with smaller formats (and smaller type) to make books more affordable and to accommodate the new, longer genre of the novel. And on the whole, they were successful, deriving profits more efficiently from the books they published and reducing prices even as they increased the overall payments to authors. The value of the payment/sheet ratio shows an average underlying increase of about 0.8% per year over the century, faster than the wage index, holding constant economic conditions and the mix of books in any particular year. In a period of very low inflation the booksellers clearly managed to refine their operations to enable them to support a new class of professional writers. While the authors complained frequently about the sharp practices of booksellers, they nonetheless enjoyed gradually improving circumstances and some became quite well off from their writings, though they were the minority.

Our aim in this essay has been to provide others with a structural model as well as an initial set of data on which to construct an even fuller understanding of the world of print and authorship in eighteenth-century Britain. While scholars are in general agreement that widespread access to print fostered the enlightenment, we still have only rather murky glimpses of just how that process took place. We hope this study casts some further light on such an important cultural moment in Britain.

Otago

APPENDIX

In order to create legible summary tables, we have recorded only one ESTC number per item even if a title actually appears in more than one record due to variant imprints or large versus regular paper copies. We have dropped honorifics from author names and shortened titles. Terms of payment are also sometimes reduced, and the price lists only the price used in calculations, the lowest advertised value, usually presumed to be for a copy of the book in sheets or stitched rather than bound. The numbers in the source column refer to the following sources and are followed after the comma by the page number in that source where details of the payment appear. Where more than one source referred to a particular payment, we have only listed here the one we regarded as most reliable. Much fuller data for each item may be found, searched, and filtered by date, gender, presence of dedications, format and other categories in the original spreadsheet data freely accessible as a Google sheet (https://goo.gl/TzQnYO).

sources:

  1. Abbot, John Lawrence, John Hawkesw Man of Letters (Madison: University of Wisconsin Press, 1982).

  2. Baines, Paul, and Pat Rogers, Curll Bookseller (Clarendon: Oxford 2007).

  3. Darwin, Erasmus, The Letters of Erasmus Darwin, ed. Desmond King-Hele (Cambridge: Cambridge University Press, 1981).

  4. Fleeman, J. D., ‘The Revenue of a Writer: Samuel Johnson's Literary Earnings,’ in Studies in the Book Trade (Oxford: Oxford Bibliographical Society, 1975).

  5. Garside, Peter, James Raven, and Rainer Schöwerling, The English Novel 1770–1829: A Bibliographical Survey of Prose Fiction Published in the British Isles. Volume I: 1770–1799 (Oxford: Oxford University Press, 2000).

  6. Hammond, Brean S., and Shaun Regan, Making the Novel: Fiction and Society in Britain, 1660–1789 (Houndmills; New York: Palgrave Macmillan, 2006).

  7. Hood, Eu, ‘Fly Leaves’, nos. XVI–XX, Gentleman's Magazine, 1824.

  8. Hume, Robert D., ‘The Economics of Culture in London, 1660–1740’, The Huntington Library Quarterly, 69 (2006), 487–534.

  9. Kimber, Sidney A., ‘The “Relation of a Late Expedition to St. Augustine” with Biographical and Bibliographical Notes on Isaac and Edward Kimber’, Papers of the Bibliographical Society of America, 28 (1934), 81–96.

  10. Levy, David, ‘Pirates, Autographs, and a Bankruptcy: A Short Treatise on the Game of Whist by Edmond Hoyle, Gentleman’, Script & Print, 34 (2010), 133–61.

  11. Milhous, Judith, and Robert D. Hume, ‘Playwrights' Remuneration in Eighteenth-Century London’, Harvard Library Bulletin, n.s. 10 (1999), 1–90.

  12. Mowbey, Joseph, ‘Anecdotes of Mr. Thomas Cooke, the Poet’, Gentleman's Magazine, 61 (1791), 1181.

  13. Nichols, John, Literary Anecdotes of the Eighteenth Century, 8 vols (London, 1814). (All references are from VIII, 293–304.)

  14. Oxford Dictionary of National Biography, 2004, s.v. author's surname.

  15. Paradise, Nathaniel, ‘From Poet to Novelist: Women Writers and the Literary Marketplace’, Eighteenth-Century Women: Studies in their Lives, Work and Culture, 1 (2001), 244.

  16. Pollard, M., Dublin's Trade in Books 1550–1800 (Oxford: Clarendon Press 1989).

  17. Psalmanazar, George, Memoirs of ****. Commonly Known by the Name of George Psalmanazar; a Reputed Native if Formosa (London: For the Executrix, 1764).

  18. Raven, James, British Fiction 1750–1770: A Chronological Check-List of Prose Fiction Printed in Britain and Ireland (Newark: University of Delaware Press, 1987).

  19. St. Clair, William, The Reading Nation in the Romantic Period (Cambridge: Cambridge 2004).

  20. St. John de Crèvecoeur, J. Hector, Letters from an American Farmer, ed. W. P. Trent (New York: Fox, Duffield & Co., 1904).

  21. Sher, Richard B., The Enlightenment and the Book: Scottish Authors and their Publishers in Eighteenth-Century Britain, Ireland, and America (Chicago: University of Chicago Press 2006).

  22. Smollett, Tobias, The Expedition of Humphry Clinker, ed. O. M. Brack, Jr (Athens: University of Georgia Press, 1990).

  23. Tierney, James E., The Correspondence of Robert Dodsley 1733–1764 (New York: Cambridge 1988).

  24. Wardle, Ralph M., Oliver Goldsmith (Lawrence, KS and London: University of Kansas Press and Constable, 1957).

  25. Zachs, William, The First John Murray and the Late Eighteenth-Century London Book Trade (Oxford: Oxford University Press, 1998).

ESTC #AuthorTitle of WorkPaymentPriceSource
T88393Alexander AdamRoman Antiquities£6005s21, 237–38
T88398Alexander AdamA Summary of Geography and History£8009s21, 238
T43George MonckA Collection of Letters Written by General George Monk£10 15s1s13, 303
T85612AnacreonOdes15 guineas3s7, 318
T75792Charles AncillonEunuchism Display'd10 guineas3s2, 32
T2096Miles Peter AndrewsThe Reparation50 guineas1s 6d11, 88
N5216[Christopher Anstey]The New Bath Guide£2505s14
T117043AristænetusLetters of Love and Gallantry£5 7s 6d1s 6d13, 298
T128120AristotleAristotle's Ethics and Politics£400 for first edition only£2 2s19, 240
N14782[John Armstrong]The Confidential Letters of Albert10 guineas3s 3s5, 53
T106993Thomas Augustine ArneDon Saverio5 guineas1s11, 87
T56492Thomas Augustine Arne [composer]Artaxerxes50 guineas1s11, 87
T47443George Edward AyscoughSemiramis£1001s 6d11, 88
N4283[Robert Bage]Mount Hennetb£306s5, 52
T16483[Thomas Baker]Tunbridge-Walks: or, the Yeoman of Kent£32 5s1s 6dII, 82
T52938[Thomas Baker]The Fine Lady's Airs: or, An Equipage of Lovers£21 10s1s 6d11, 82
T89681Henry BakerThe Microscope Made Easy1 guinea per sheet + 20 printed copies before publication5s23, 509
T89684Henry BakerNatural History of the Polype2 guineas per sheet + 20 printed copies before publication4523, 509
T94557Henry BakerEmployment of the Microscope£886s23, 509
T22545Richard BarfordThe Assembly. An Heroi-Comical Poem, in Five Cantos£15 15s1s13, 293
T138975James BeattieAn Essay on the Nature and Immutability of Truth100 guineas6s21, 255
T97900James BeattieDissertations, Moral and Critical£200£1 1s21, 254
T137759James BeattieEvidences of the Christian Religion£625s21, 254
T13S973James BeattieElements of Moral Science200 guineas15s21, 254
T104562Robert BellarmineThe Second Part of the Joys of the Blessed£5 10s3s2, 323
T57753William BlackstoneCommentaries on the Laws of England£1096 18s 6d for ⅓ share; £3290 15s 6d total£3 12s19, 99 & n. 58
T142959Thomas BlackwellMemoirs of the Court of Augustus£500£3 3s23, 509
T143149Hugh BlairSermons£1006s21, 245
T143150Hugh BlairSermons£5006s21, 246.
T143711Hugh BlairLectures on Rhetoric and Belles Lettres£1500£2 2s21, 246–47
T143151Hugh BlairSermons£6006s21, 246
T143082Hugh BlairSermons£6006s21, 246
T41357Charles BodensThe Modish Couple£801s 6d11, 85
T64481James BoswellThe Life of Samuel Johnson, LL.D.£300£2 8s21, 223
T71994[Francis Bragge]Account of the Discovery of Sorcery and Witchcraft3 guineas for the first 1,000 copies6d2, 48
T89034John BrevalRemarks on Several Parts of Europe1 guinea to author; 1 guinea to bookseller, responsible for production costs£2 10s13, 304
T799Thomas BridgesThe Dutch-Man10 guineas1s11, 88
T80601[Sophia Briscoe]The Fine Lady: or, History of Mrs Montague20 guineas5s5, 52
N23809Henry BrookeThe Songs in jack the Giant-Queller£1 10s6d23, 516
T59589John BrownsmithThe Dramatic Time-Piece: or, Perpetual Monitor5 guineas1s7, 318
T144542Patrick BrydoneA Tour Through Sicily and Malta£50012s21, 253
T116615William BuchanDomestic Medicine: or, The Family Physician£5005s21, 219–20
T4224Edmund BurkeA Vindication of Natural Society6 guineas1s 6d23, 510
T42248[Edmund Burke]Origins of the Sublime and Beautiful20 guineas3s23, 510
T6290[William Burke]An Account of the European Settlements in America£508s23, 511
T110833[Edmund Burke]The Annual Register: or, The History of the Present War£100 for vol. 16s23, 510
N1249[Anne Burke]Ela: or, The Delusions of the Heart5 guineas2s 6d5, 53
T43501Thomas BurnetOur Ancestors as Wise as We£5 7s 6d6d13, 294
N29507Thomas BurnetArchaelogia Philosophicae£7 7s + 3½ guineas6s2, 323
T117376Thomas BurnetDe statu mortuorum & resurgentium tractatus8 guineas10s 6d2, 323
T122356Thomas BurnetDoctrina antiqua de rerum originibus7 guineas5s2, 323
T145413[Frances Burney]Evelina: or, A Young Lady's Entrance into the World20 guineas7s 6d5, 52
T102228Frances BurneyCecilia: or, Memoirs of an Heiress£25012s 6d5, 52
T144705Frances BurneyCamilla: or, A Picture of Youth£100021s14
T125274Robert BurnsPoems, Chiefly in the Scottish Dialect100 guineas3s21, 230–32
T136453Julius CaesarThe Commentaries of Caesar£1 11s 6d per sheet£3 3s23, 514
N23232[Georgiana Cavendish]The Sylph12 guineas5s5, 53
T64207Susanna CentlivreLove's Contrivance: or, Le médecin malgré lui£101s 6d11, 82
N15298Susanna CentlivreThe Busie Body£101s 6d11, 82
T26870Susanna CentlivreThe Wonder: A Woman Keeps a Secret20 guineas1s11, 84
T34448Susanna CentlivreThe Cruel Gift20 guineas1s11, 84
T26858Susanna CentlivreThe Artifice20 guineas1s 6d11, 84
T59882Miguel de CervantesDon Quixote£21 + 15 copies£2 10s23, 518
T65784[Hester Chapone]Letters on the Improvement of the Mind£506s14
T67074Hester ChaponeMiscellanies in Prose and Verse£2503s14
T106027Geoffrey ChaucerThe Works of Geoffrey Chaucer£560: ⅓ to Urry as editor, ⅓ to Christ Church, Oxford, ⅓ to Lintot, who was responsible for production costs30s13, 304
T77397William CheseldenThe Anatomy of the Humane Body, 7th edn£2006s23, 512
T144534William-Rufus ChetwoodThe Life and History of Captain Robert Boyle£155s7, 136
T57278William Rufus ChetwoodThe Lover's Opera10 guineas1s11, 85
T26003Colley CibberPerolla and Izadora£36 11s1s 6d11, 82
T37484Colley CibberLady's Last Stake, or, the Wife's Resentment£32 5s1s 6d11, 82
N739Colley CibberThe Double Gallant: or, The Sick Lady's Cure£17 5s1s 6d11, 82
T112185Colley CibberThe Comical Lovers£10 15s1s 6d11, 82
N45829Colley CibberVenus and Adonis£5 7s 6d6d11, 84
T26840Colley CibberThe Non-Juror£1051s 6d11, 84
T73428Colley CibberCæsar in Ægypt£1051s 6d11, 84
N130Colley CibberThe Provo'd Husband: or, A Journey to London£1051s 6d11, 84
T72404Theophilus CibberThe Lover: or, The Libertine Hypocrite£451s 6d11, 85
T2384Colley CibberPapal Tyranny in the Reign of King John£801s 6d11, 87
T89985Colley CibberAn Apology for the Life of Mr. Colley Cibber, 3rd edn£52 10s6s23, 512
T43305Susanna Maria Arne CibberThe Oracle£31 10s1s11, 87
T82001CiceroThe Art of Canvassing at Elections£5 7s6d13, 303
T136975CiceroThe Letters of Marcus Tullius Cicero£600 in three installments15s23, 521
T84803[John Cleland]Memoirs of a Woman of Pleasure£203s18, 24
T46677Catherine CliveThe Rehearsal: or, Bays in Petticoats£211s11, 87
T38657James CobbLove in the East: or, The Adventures of Twelve Hours120 guineas1s 6d11, 67 & 88
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T134571William CullenA Treatise of the Materia Medica£150018s21, 253
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T82751David, Sir DalrympleAnnals of Scotland130 guineas15s21, 254
T39344M. Antoine-Jean DamaniantThe Midnight Hour£31 10s1s11, 88
T82159Erasmus DarwinThe Loves of the Plants [part II of The Botanic Garden]£30012s3, 140 n. 3
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T72868Albert Henri de SallengreEbrietatis Encomium: or, The Praise of Drunkenness4 guineas + 12 bound copies2s 6d2, 323
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T70072Matilda Fitz-JohnJoan!!!60 guineas14s5, 52
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T124688Thomas FoxtonThe Tower£1 1s + ‘several books’1s2, 323
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T145508John GastThe History of Greece60 copies of the book with a separate Irish title page to be sold in Ireland at 16s each, all proceeds to the author [= c. £48]16s25, 72–73
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T92162[Samuel Johnson]London: in Imitation of the Third Satire of Juvenal10 guineas1s23, 518
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T89846Henry FieldingAmelia1000 guineas12s18, 23
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T70072Matilda Fitz-JohnJoan!!!60 guineas14s5, 52
T125196David FordyceTheodorus: or, Dialogue on the Art of Preaching£26 5s + 20 copies3s23, 515
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T97112[Louis Fuzelier]Momus Turn'd Fabulist: or, Vulcan's Wedding15 guineas1s 6d11, 85
T145508John GastThe History of Greece60 copies of the book with a separate Irish title page to be sold in Ireland at 16s each, all proceeds to the author [= c. £48]16s25, 72–73
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T109019Giovanni Battista GelliCirce10 guineas4s23, 519
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T78356Edward GibbonDecline and Fall of the Roman Empire [vol. I]£49021s14 (orig. 1889 entry)
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T146116Oliver GoldsmithThe Life of Richard Nash, Esq.14 guineas4s24, 136 n. 44
T146175Oliver GoldsmithThe Vicar of Wakefield£606s6, 230
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T135878Thomas LelandThe History of Ireland£300£4 4s 6d16, 178
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T82159Erasmus DarwinThe Loves of the Plants [part II of The Botanic Garden]£30012s3, 140 n. 3
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T64227Leonard WelstedDissembled Wanton: or, My Son Get Money60 guineas1s 6d11, 56 & 84
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T38657James CobbLove in the East: or, The Adventures of Twelve Hours120 guineas1s 6d11, 67 & 88
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T39344M. Antoine-Jean DamaniantThe Midnight Hour£31 10s1s11, 88
T82159Erasmus DarwinThe Loves of the Plants [part II of The Botanic Garden]£30012s3, 140 n. 3
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T72868Albert Henri de SallengreEbrietatis Encomium: or, The Praise of Drunkenness4 guineas + 12 bound copies2s 6d2, 323
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T76251Richard FiddesTbeologia Speculativa£252£1 5s8, 510
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T89863[Henry Fielding]The Covent-Garden Tragedy10 guineas1s11, 85
T89882[Henry Fielding]The History of the Adventures of Joseph Andrews£183 11s6s18, 23
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T89846Henry FieldingAmelia1000 guineas12s18, 23
T141110[Sarah Fielding]The Cry£52 10s for half of copy9s23, 514
T70072Matilda Fitz-JohnJoan!!!60 guineas14s5, 52
T125196David FordyceTheodorus: or, Dialogue on the Art of Preaching£26 5s + 20 copies3s23, 515
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T124688Thomas FoxtonThe Tower£1 1s + ‘several books’1s2, 323
T97112[Louis Fuzelier]Momus Turn'd Fabulist: or, Vulcan's Wedding15 guineas1s 6d11, 85
T145508John GastThe History of Greece60 copies of the book with a separate Irish title page to be sold in Ireland at 16s each, all proceeds to the author [= c. £48]16s25, 72–73
T13889John GayThe Mohocks£2 10s3d13, 296
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T109019Giovanni Battista GelliCirce10 guineas4s23, 519
T91339Alexander GerardAn Essay on Genius£506s21, 254
N6053Phoebe GibbesThe Life and Adventures of Mr. Francis Clive5 guineas5s7, 136
T78356Edward GibbonDecline and Fall of the Roman Empire [vol. I]£49021s14 (orig. 1889 entry)
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T146116Oliver GoldsmithThe Life of Richard Nash, Esq.14 guineas4s24, 136 n. 44
T146175Oliver GoldsmithThe Vicar of Wakefield£606s6, 230
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T93697Robert HenryThe History of Great Britain£1000 for first 5 vols£5 5s21, 218–19
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T146694Jean de La FontaineTales and Novels in Verse. From the French of La Fontaine2 guineas per sheet (× 17.125 sheets) [=£36 15s 3d]5s2, 323
N27246Antoine Houdart de La MotteA Critical Discourse upon Homer's Iliad£3 4s 6d1s13, 301
T38718Abraham LangfordThe Lover bis Own Rival£2 2s1s11, 85
T30843John LaurenceThe Clergy-Man's Recreation£5 7s 6d1s13, 298
T40740John LaurenceThe Gentleman's Recreation£16 2s 6d2s13, 298
T40275John LaurenceThe Fruit-Garden Kalendar£36 15s2s13, 298
N10664Henri-Francois Le DranOperations in Surgery£635s23, 515
T74353William LeechmanSermons£100 + 100 copies of the book12s21, 247–49
T68001John LeighKensington-Gardens: or, The Pretenders45 guineas1s 6d11, 84
T135878Thomas LelandThe History of Ireland£300£4 4s 6d16, 178
T41160George LilloThe London Merchant: or, The History of George Barnwell100 guineas1s 6d11, 85
T135869Robert LowthA Short Introduction to English Grammar£50 for ½ copyright; presumably same from A. Millar3s23, 520
T85084[Philip Luckombe]A Tour Through Ireland20 guineas3s 6d7, 223
T37138Francis LynchThe Independent Patriot: or, Musical Folly5 guineas1s 6d11, 87
T38895[Henry Mackenzie]The Man of Feeling£52 10s3s21, 254
T38918[Henry Mackenzie]The Man of the World£1056s21, 254
T29274Henry MackenzieJulia de Roubigné£1056s21, 254
N48792[Anna Maria MacKenzie]Retribution20 guineas7s 6d5, 52
T152357James, Sir MackintoshVindiciae Gallicae£305s21, 254
T61846Leonard MacnallyRichard Coeur de Lion£781s11, 67 & 78
T53836David MalletThe Excursion£251s14
T42141David MalletOf Verbal Criticism: An Epistle to Mr. Pope20 guineas1s12, 1181
T21858David MalletAmyntor and Theodora, or, The Hermit£1203s 6d14
T94257MartialSelect Epigrams£603s23, 517
T50339Benjamin MartynTimoieon£701s 6d11, 85
T96776Andrew MarvellThe Works of Andrew Marvell Esq.£56s2, 323 & 352
T96597[William Melmoth (the younger)]Letters by the Late Sir Thomas Fitzosborne, Bart, [vol 1]30 guineas3s 6d23, 520
T96598[William Melmoth (the younger)]Letters by the Late Sir Thomas Fitzosborne, Bart. Vol. II£1005s23, 520
T72976[Louis-Sébastien Mercier]Memoirs of the Year Two Thousand Five Hundred£28 17s 6d5s5, 52
T100408John MillarObservations Concerning the Distinction of Ranks100 guineas9s21, 254
T36839James MillerThe Humours of Oxford£801s 6d11, 85
T41459[James Miller]The Motber-in-Law: or, The Doctor the Disease£801s 6d11, 85
T38911[James Miller]The Man of Taste: or, The Guardians£501s 6d11, 85
T50478James Miller[Love] The Universal Passion55 guineas1s 6d11, 87
T2704Joseph MitchellThe Highland Fair: or, The Onion of the Clans30 guineas1s 6d11, 85
N25815MolièreThe Works of Monsieur de Mo Here. In Six Volumes£37 12s 6d15s13, 299
T67577Charles MolloyThe Coquet: or, The English Chevalier5 guineas1s 6d11, 84
T64314[John Moore]Society and Manners in France, Switzerland, and Germany£100 for the first edition of 1000 copies12s21, 244
T123769[John Moore]Zeluco£50014s21, 245
T114000John MooreEdward£80018s21, 245
T953MacNamara MorganPhiloclea£1001s 6d11, 87
T56640Thomas MortonThe Way to Get Married£1402s11, 90
T34491Thomas MortonA Cure for the Heart Ache£1502s11, 90
T100458Thomas MortonSecrets Worth Knowing£1502s11, 73 & 90
T68010[John Mottley]The Widow Bewitch'd20 guineas1s 6d11, 85
T82111Teresia Constantia MuilmanA Letter to the Right Honourable the Earl of Chesterfield3 guineas1s7, 223
T77884Arthur MurphyThe Apprentice£401s11, 76 & 87
T45420Arthur MurphyThe Orphan of China£1051s 6d11, 60 & 87
T69038Arthur MurphyDesert Island£52 10s1s 6d11, 87
N25220Arthur MurphyThe Way to Keep Him£52 10s1s 6d11, 87
T782Arthur MurphyThe Old Maid£421s11, 76
T21236Arthur MurphyAll in the Wrong£1051s 6d11, 61 & 87
T52924Arthur MurphyZenobia£1051s 6d11, 87
N17948[Arthur Murphy]The Grecian Daughter£1051s 6d11, 88
T21314Arthur MurphyAlzuma100 guineas1s 6d11, 88
T129409Arthur MurphyThe Upholsterer: or, What News?£421s11, 76 & 87
T178187[Johann Karl August Musäus]Popular Tales of the Germans30 guineas6s5, 52
T83019Cornelius NeposThe Lives of Illustrious Men£52s 6d13, 301
T72417John O'KeeffeWorld in a Village£1501s 6d11, 90
T44547Thomas OdellThe Frodigal: or, Recruits for the Queen of Hungary12 guineas1s 6d11, 87
T106888[William Oldisworth]A Dialogue between Timothy and Pbilatbeus£7515s13, 298
T33393[William Oldisworth]Private Judgment in Matters of Religion£15 1s3s13, 298
T46402[William Oldisworth]Reasons for Restoring the Whigs£2 12s6d13, 298
T117964OvidThe Art of Love: in Imitation of Ovid De Arte Amandi£32 5s3s 6d13, 297
T140233OvidDecerpta ex Ovidii Fastis£5 7s 6d1s13, 297
T140233Robert PaltockThe Life and Adventures of Peter Wilkins, a Cornish Man20 guineas + 12 copies6s23, 522
T70421Thomas ParnellHomer's Battle of the Frogs and Mice£16 2s 6d1s 6d13, 296
T140068Eliza ParsonsAn Old Friend With a New Face60 guineas + 20 copies10s 6d5, 52
N21894S[usanna PearsonThe Medallion25 guineas9s5, 52
N32845[Thomas Percy]Hau Kiou Cboaan: or The Pleasing History£50 + 10 guineas for supplementary material8s23, 523
T55180[Thomas Percy]Five Pieces of Runic Poetry10 guineas1s 6d23, 522
T84936[Thomas Percy]Reliques of Ancient English Poetry100 guineas6s23, 522
N18697Pierre PerrinThe Female Werter8 guineas10s 6d5, 53
T101492Petronius ArbiterWorks25 guineas3s7, 318
T141278PhædrusA Poetical Translation of the Fables of Phaedrus10 guineas3s23, 524
T41112Edward PhillipsThe Livery Rake, and Country Lass£4 4s1s11, 85
T99797Hester Thrale PiozziAnecdotes of the Late Samuel Johnson, LL.D£1505s4, 1.3
T71718Hester Thrale PiozziA journey through France, Italy, and Germany£50012s4, 1.3–4
T126146Christopher PittPoems and Translations£213s 6d13, 299
T27198PlatoPlato's Dialogue of the Immortality of the Soul£5 7s 6d1s13, 301
T132374Pliny the youngerThe Letters of Pliny the Consul£508s23, 520.
T160802John PointerA Chronological History of England£10 15s5s13, 299
T111490PolybiusThe General History of Polybius250 guineas£1 1s23, 516–17
T5694Alexander PopeOde for Musick£156d13, 300
T5763Alexander PopeWindsor-Forest30 guineas1s13, 300
T5726Alexander PopeRape of the Lock£151s13, 299–300
T5682[Alexander Pope]A Key to the Lock£10 15s6d13, 300
T5753Alexander PopeTemple of Fame: A Vision30 guineas1s13, 300
T5575Alexander PopeAn Essay on Criticism£151s13, 300
T85829Samuel Jackson PrattFamily Secrets, Literary and Domestic£225£1 5s5, 52
T118773Abbé PrévostThe Dean of Coleraine£1615s16, 177
T137017George PsalmanazarDescription of Formosa, 2nd edn12 guineas6s17, 221
N25266[Elizabeth & Jane Pur beck]William Thomborough, the Benevolent Quixote21 guineas12s5, 52
T91965Anthony PurverA Translation of the Old and New Testament£1000£414
T62063Anne Ward RadcliffeThe Mysteries of Udolpho£500£15, 52
T62064Ann Ward RadcliffeThe Italian: or The Confessional of the Black Penitents£80015s5, 52
T82678Elizabeth RaffaldThe Experienced English Housekeeper£14006s14
T27354James RalphThe Fashionable Lady: or, Harlequin's Opera25 guineas1s 6d11, 85
T127124Clara ReeveDestination: or, Memoirs of a Private Family60 guineas10s 6d5, 52
T110558Thomas ReidAn Inquiry into the Human Mind£505s21, 258.
T18517Frederick ReynoldsHow to Grow Rich£125?1s 6d11, 70 & 90
T18518Frederick ReynoldsManagement£1502s11, 75 & 90
T112296Frederick ReynoldsLaugh When You Can£150?2s11, 75 & 90
T147332Luigi RiccoboniHistorical and Critical Account of the Theatres in Europe£10 16s5s23, 515
T40279Joseph RichardsonThe Fugitive£1001s 6d11, 69 & 90
T71143William RobertsonThe History of the Reign of the Emperor Charles V£3400£2 12s 6d1, 147
T137692Mary RobinsonWalsingham: or, the Pupil of Nature£15016s5, 52
T94335Mary RobinsonThe Natural Daughter60 guineas7s5, 52
T94332Mary RobinsonThe False Friend: A Domestic Story£15016s5, 52
T99761Mary RobinsonLyrical Tales£635s15, 244
T46171[John Rose]A Quarter of an Hour Before Dinner10 guineas1s11, 88
T14949Nicholas RoweThe Tragedy of Jane Shore£50 15s1s 6d11, 84
T51546Nicholas RoweThe Tragedy of the Lady Jane Grey£75 5s1s 6d11, 84
T57365Susanna RowsonThe Inquisitor: or, Invisible Rambler£307s 6d5, 52
T71896[Helenus Scott]The Adventures of a Rupee5 guineas3s5, 53
T2231[Elkanah Settle]The City-Ramble: or, A Play-House Wedding£3 10s1s 6d11, 84
T56232[George Sewell]Remarks on the Tragedy of the Lady Jane Grey£1 1s 6d6d13, 301
T51544George SewellThe Tragedy of Sir Walter Raleigh£37 18s1s 6d11, 84
N3932[Mary Martha Sherwood]Margarita£4014s5, 52
T106302William SmelliePhilosophy of Natural History1000 guineas for vol. 1£1 1s21, 228–29
T42205Edmund SmithPhaedra and Hippolitus£501s 6d11, 82
T53928George Smith, distillerA Compieat Body of Distilling£202s 6d13, 301
T39700George Smith, distillerThe Nature of Fermentation Explain'd£6 10s1s13, 301
T96668Adam SmithAn Inquiry into the Wealth of Nations£300 in 1788 and another £300 in April 1790£1 16s21, 236
T73500Charlotte SmithDesmond£135 5s9s5, 52
T55344Tobias George SmollettThe Adventures of Peregrine Pickle£40012s22, 450 n. 2
T55294Tobias SmollettThe Adventures of Ferdinand Count Fathom£1206s22, 450 n. 2
T55323Tobias SmollettThe Expedition of Humphry Clinker£2109s14
T2457James Moore SmytheThe Rival Modes£1051s 6d11, 84
T139205William SomervileOccasional Poems, Translations, Fables, Tales, &c.£35 15s5s 6d13, 301
T117864Thomas SomervilleThe History of Political Transactions£300£1 5s21, 250–51
T139401Thomas SomervilleHistory of Great Britain during the Reign of Queen Anne200 copies of the book£1 5s21, 251
T56485Thomas SoutherneThe Spartan Dame£15018d11, 84
T139936Robert SoutheyJoan of Arc50 guineas£1 1s14
T130824Joseph SpencePolymetis£200£2 12s 6d23, 525
T133373J. Hector St. John de CrèvecoeurLetters from an American Farmer30 guineas5s20, xiv
T11217Thomas StackhouseMemoirs of the life, and conduct, of Francis Atter bury10 guineas2s2, 322
T136181Philip Dormer StanhopeLetters Written by the late Earl of Chesterfield, to his Son1500 guineas£2 2s14
T75197Richard, Sir SteeleThe Lying Lover: or, The Ladies Friendship£21 10s1s 6d11, 82
N59226Richard, Sir SteeleThe Conscious Lovers£401s 6d11, 84
T174943William StephensA Sermon Preach'd to the Protestants of Ireland£74d13, 301
T14780[Laurence Sterne]The Life and Opinions of Tristram Shandy, Gentleman£2505s23, 525
T14705[Laurence Sterne]The Life and Opinions of Tristram Shandy, Gentleman£3805s23, 525
N797James, Sir SteuartAn Inquiry into the Principles of Political Oeconomy£500£2 2s21, 236
T101038Dugald StewartElements of the Philosophy of the Human Mind£500£1 5s21, 253
T96549Gilbert StuartA View of Society in Europe£10018s25, 65
T139451Jonathan SwiftTravels into Several Remote Nations of the World£2008s 6d8, 509
T50294Jonathan SwiftThree Sermons£501s 6d23, 524
T35435Lewis TheobaldThe Fatal Secret6 guineas6d11, 85
N473330James ThomsonLiberty£2501s14
T101857Alexander ThomsonMemoirs of a Pythagorean25 guineas7s 6d5, 51
T107743[Anna Thomson]Fatal Follies: or, The History of the Countess of Stanmore50 guineas10s5, 52
N20615[Anna Thomson]The Labyrinths of Life£4012s5, 52
T147301Edward ThomsponFair Quaker of Deal20 guineas1s11, 88
T116159William TillySixteen sermons Preach'd before the University of Oxford£32 5s6s13, 302
T116571William TillyFour Offices of Prayer and Devotion£10 15s2s13, 302
N4439Jane TimburyThe Male Coquet5 guineas5s5, 53
T112859[John Toland]The Art of Governing by Partys£203s13, 302
T21896John TolandAnglia Libera£10 15s3s 6d13, 302
T63149John TolandVindicius Liberius£5 5s2s 6d13, 302
T129765John TolandLetters to Serena£104s13, 302
T103141[John Toland]Dunkirk or Dover£5 7s 6d6d13, 302
N12733[John Toland]Reasons for Naturalizing the Jews£10 15s1s13, 302
T102757[John Toland]The Grand Mystery Laid Open£10 15s6d13, 303
T22479[John Toland]The Art of Restoring£106d13, 303
T43860John TracyPeriander50 guineas1s 6d11, 57 & 85
T19029[Joseph Trapp]Abra-Mule: or, Love and Empire£21 10s1s 6d11, 82
T68036Joseph TrappPrælectiones poeticæ£202s 6d13, 303
T70083Cajetan TschinkThe Victim of Magical Delusion£409s5, 52
T138241John VanbrughThe Cornish Square12 guineas1s 6d11, 85
T139441VirgilAeneid£52 10s1 guinea23, 515 & 528
T143353VirgilThe Works of Virgil, in Latin and English£22120s23, 526–27
N65352VoltaireThe Tradedy of Zara15 guineas1s 6d11, 85
T64226[Thomas Walker]Fate of Villainy20 guineas1s 6d11, 85
T97423George WalkerOn the Doctrine of the Sphere£4012s14
T107866[William Warren]The Sentimental Spy8 guineas5s5, 53
N12907Philip WarwickRules of Government£4 6s1s13, 298
T107803Robert WatsonThe History of the Reign of Philip the Second of Spain£800 for first edition only£2 2s21, 240
T122856Isaac WattsHymns and Spiritual Songs. In Three Books£101s 6d14
T64227Leonard WelstedDissembled Wanton: or, My Son Get Money60 guineas1s 6d11, 56 & 84
T64721Jane WestA Tale of the Times£9012s5, 52
N4252James WhiteThe Adventures of John of Gaunt, Duke of Lancaster55 guineas9s5, 52
T48573Paul WhiteheadThe State Ounces10 guineas1s14
T60943William WhiteheadThe Danger of Writing Verse£10 10s1s23, 527
T4571William WhiteheadAn Essay on Ridicule£15 15s1s23, 527
T43226William WhiteheadOn Nobility10 guineas1s23, 527
T8579William WhiteheadThe Roman Father£1001s 6d11, 87
T1539William WhiteheadCreusa, Queen of Athens100 guineas1s 6d23, 528
T47169William WhiteheadThe School for Lovers100 guineas1s 6d11, 87
T144159Richard WilkinsonVice Reclaim'd: or, The Passionate Mistress£10 15s1s 6d11, 82
T92361John WilliamsTwelve Sermons at the Lecture Founded by Robert Boyle£21 10s × 2[= £43]5s13, 303
T66377[Juliana Latitia Woodfin]Louisa Forrester; or, Characters Drawn from Real Life2.5 guineas7s 6d7, 224
T57814Ann YearsleyThe Royal Captives: a Fragment of Secret History£2006s5, 52
N15642Edward YoungThe Brothers£1471s 6d11, 87
T113256Edward YoungThe Centaur Not Fabulous£100, ½ of total, with A. Millar paying the other5s23, 529
T103001Arthur YoungThe Theatre of the Present War in North America£10 in books1s 6d14, entry for Coote
N38568Penitential Meditations of a Soul Touch'd with Remorse£2 3s1s13, 303
T184008Ovid, PhaedrusThree separate Latin school works: Decerpta ex Metamorpboseon, 1723 (T184008); A Collection of Nouns and Verbs to be Declin'd, 1723 (T116299), and Phædri Augusti Cæsaris liberti Fabularum æsopiarum libri quinque, 1714 (T139988)£131s each13, 297
T147313Fortunes Tricks in Forty-Six [Fortunes Court of Requests]8 guineas1s23, 517
T185512A Compendium of Authentic and Entertaining Voyages1.5 guineas per sheet, approx. 100 sheets [=150 guineas]£1 1s23, 524–25

We would like to thank those who offered comments and suggestions when this work was first presented at the SHARP conference in Toronto, Canada in June 2009. We would also like to thank Austin Gee for his help with various parallel sets of economic data and trends for the period, and Lisa Bucke for her exceptional talents in making our graphs attractive and clear in black and white.

1The Construction of Authorship: Textual Appropriation in Law and Literature, ed. by Martha Woodmansee and Peter Jaszi (Durham, NC: Duke University Press, 1994); Mark Rose, Authors and Owners: The Invention of Copyright (Cambridge: Harvard University Press, 1993), and his chapter, ‘Copyright, Authors and Censorship’, in The Cambridge History of the Book in Britain: Volume V, 1695–1830, ed. by Michael F. Suarez, SJ and Michael L. Turner (Cambridge: Cambridge University Press, 2009), pp. 118–31; Jody Greene, The Trouble with Ownership: Literary Property and Authorial Liability in England, 1660–1730, Material Texts (Philadelphia: University of Pennsylvania Press, 2005); Ronan Deazley, On the Origin of the Right to Copy: Charting the Movement of Copyright Law in Eighteenth-Century Britain (1695–1775) (Oxford; Portland, OR: Hart Publishing, 2004) and Rethinking Copyright: History, Theory, Language (Cheltenham, UK; Northampton, MA: E. Elgar Publishing, 2006); Global Copyright: Three Hundred Years since the Statute of Anne, from 1709 to Cyberspace, ed. by Lionel Bently, Uma Suthersanen and Paul Torremans (Cheltenham, UK; Northampton, MA: Edward Elgar, 2010).

2This is not to indicate any lack of appreciation of such scholarship. Without the work of Peter Garside, Robert Hume, Judith Milhous, James Raven, William St. Clair, Rainer Schöwerling, and Richard Sher (all listed in the references in the appendix) this study would not be possible.

3 For an economic analysis of this same data and its significance for bookselling practices in the century, see David Fielding and Shef Rogers, ‘Monopoly Power in the Eighteenth-Century British Book Trade’, forthcoming.

4 William St. Clair, The Reading Nation in the Romantic Period (Cambridge: Cambridge University Press, 2004), p. 444.

5 For some cautionary comments about the data in St. Clair's appendixes, particularly Appendix 6, see Thomas F. Bonnell, ‘When Book History Neglects Bibliography: Trouble With The “Old Canon” in The Reading Nation’, Studies in Bibliography, 57 (2005–06), 243–61. He especially criticizes St. Clair for not examining copies of the books discussed, a warning we have tried to heed in our work.

7 The Bowyer Ledgers, ed. by Keith Maslen and John Lancaster (London and New York: The Bibliographical Society and The Bibliographical Society of America, 1991).

8 The single best summary of income possibilities for eighteenth-century authors is Richard Sher,s chapter, ‘The Rewards of Authorship’, in The Enlightenment and the Book: Scottish Authors and their Publishers in Eighteenth-Century Britain, Ireland and America (Chicago and London: University of Chicago Press, 2006), pp. 195–261.

9 For a considered statistical overview of book publishing in the period, indicating some of the limitations of ESTC data, see Michael F. Suarez, SJ, ‘Towards a Bibliometric Analysis of the Surviving Record, 1701–1800’, in The Cambridge History of the Book in Britain: Volume V, 1695–1830, ed. by Michael F. Suarez, SJ and Michael L. Turner (Cambridge: Cambridge University Press, 2009), pp. 39–65.

10 John Nichols, Literary Anecdotes of the Eighteenth Century, 8 vols (London, 1814), viii, pp. 293–304; Judith Milhous and Robert D. Hume, ‘Playwrights' Remuneration in Eighteenth-Century London’, Harvard Library Bulletin, n.s. 10 (1999), 1–90.

11 See Fielding and Rogers, ‘Monopoly Power’.

12 The average number of pages per title in our data set rises consistently across the century, but the number of sheets drops and then evens out in the final two decades, a further indication of cost pressures on publishers. Once economies of printing layouts had been fully realized by about 1790, publishers turned to a variety of different royalty and cost-sharing arrangements in lieu of flat payments to authors. For a discussion of these experiments in author remuneration, see St. Clair, Reading Nation, examples in Appendix 9, and Sher, ‘Rewards’.

13 In the interests of space, the legends in the pie graphs of genres have been shortened. A fuller classification for each segment of the pie would read:

Arts: Fine Arts, Music, Art, and Architecture Literature; Literature and Language History: History and Geography, including travel Social Science: Politics, Business, and Economics Science: Medicine, Science, and Technology Law

Reference: General reference works, as well as catalogues, almanacs, and ephemera Religion: Religion and Philosophy

14 John Feather's 1986 survey by genre yields a very similar pie chart, despite using earlier sources, so the proportions of content are likely to be fairly representative. See ‘British Publishing in the Eighteenth Century: A Preliminary Subject Analysis’, The Library, vi, 8 (1986), 32–46, based on the data depicted on p. 36.

15 Hugh Blair was exceptionally well remunerated for his sermons, but even William Leechman received £160 for his sermons.

16 For a thorough assessment of both the impressive number of literary reprint sets and of their economics of production, see Thomas F. Bonnell, The Most Disreputable Trade: Publishing the Classics of English Poetry, 1765–1810 (Oxford: Oxford University Press, 2008). There were also large numbers of sets of reprinted travel books and smaller numbers of sets in other genres.

17 Tobias Smollett, The Expediiion of Humphry Clinker, ed. by Thomas R. Preston and O. M. Brack, Jr (Athens: University of Georgia Press, 1990), pp. 125–26.

18 We present this data in tabular form because the graph was too detailed to be visually distinct in black and white print. The main point is the rapid increase in the number of works by female authors, all in smaller formats, in the final three decades of the century.

19 The fact that women most often published fiction has encouraged the perception that female authors were less well paid than male authors. When we disaggregate the examples in our dataset by either format or genre, the gender difference in payment per sheet to authors becomes insignificant (except, marginally, in the case of price per sheet for duodecimo publications, which is because the top of the distribution for men is higher than the top for women). The significant difference between men and women overall results from women being over-represented in duodecimo and fiction publications. See the Wilcoxon test data (Fig. 7) for details.

20 This graph has grouped the data into twenty-five-year periods because the numbers of publications in the less-represented genres are too small to indicate clear trends when broken into decades.

21 The data set includes fifty-one payments for historical works. Nine were published 1701–1725; nine from 1726–1750; nineteen between 1751 and 1775, and a further fourteen from 1776–1800.

22 For a useful examination of some of the complex tensions in the transition from a patronage-based to a payment-based publishing world in England between about 1690 and 1720, see J. A. Downie, ‘Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe’, Digital Defoe: Studies in Defoe & his Contemporaries, 6.1 (2014), 1–18, available at http://english.illinoisstate.edu/digitaldefoe/features/downie.pdf.

23 Such an extraordinary sale price may signal that we should reconsider Dennis's status among his contemporaries, if not his critical significance. He was no inconsiderable literary figure for the young Alexander Pope to attack in the Essay on Criticism, even if his work is not as highly regarded today.

24 The disparity between the payments for Ceciliaand Camilla resulted in part from Burney's efforts to secure subscribers for the latter novel. No record survives of how much, if any, of the £1000 was contributed by her publisher, Thomas Cadell, Jr.

25 In a bookselling climate where initial print runs were relatively small and works by popular authors might sell out in a matter of days, well before reviews could be published (even assuming that reviews were trusted by readers), a bookseller may have had an incentive to risk paying more for subsequent works by successful authors on the grounds that a sufficient portion of the run was likely to be sold in an initial flurry regardless of the artistic merits of the new work.