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Abstract
The introduction begins Indigenuity’s story of the enduring, widespread, and active presence of Native craft in American literary history and archives. As Native artistry and authorship have continued as living and adaptive practices so too has American literary history’s orientation to those practices. The introduction does so through a pairing of objects: a poem by Ojibwe author Jane Johnston Schoolcraft and a basket created by an unknown Odawa woman. Both are literature, and both are craftwork. Each braid scriptive and physical components to express beauty, memory, and meaning. Each is the handiwork of a nineteenth-century Anishinaabe creator living on the waters of the Great Lakes, immersed in a network of relationships between peoples, objects, and places. Both objects reside now, just as they did then, in settler colonial collections, continuing to structure relationships, including with non-Native literatures and material craft. Together, they emblematize the enduring orientation of American literatures to Native ways of making and being on Indigenous lands. It is that enduring orientation that Indigenuity seeks to discern.
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