Ariosto, the Orlando Furioso and English Culture
Ariosto, the Orlando Furioso and English Culture
Emeritus Professor of Italian Literature
Professor of Early Modern Literature
Reader in Italian
Cite
Abstract
The volume assesses the changing impact on English culture over 500 years of Ariosto’s poem, the Orlando Furioso, first published in Italy in 1516, and subsequently in an expanded version in 1532. Individual chapters address the recurring presence of Ariosto’s poem in English literature, but also the multimedial nature of the transmission of the Furioso into English culture: through the visual arts, theatre, music and spectacle to video games and the internet, as well as through often heated critical debates. The introduction provides an overview of the history of criticism and interpretation of the Furioso in England. Within the four main sections – entitled: Before reading – the image; From the Elizabethans to the Enlightenment; Gothic and Romantic Ariosto; Text and translation in the modern era – individual studies explore key moments in the reception of the poem into English culture: the adaptation and translation of the poem among the Elizabethans; Milton’s detailed appreciation of the work; and the ambivalent attitudes of eighteenth-century writers and critics; the influence of illustrations to the poem; and its transformation into opera for the English stage. Emphasis is also placed on: the dynamic responses of Romantic writers to Ariosto; the crucial work of editors and translators in the nineteenth and twentieth centuries; and the stimulating adaptations and rewritings by modern authors. The volume concludes with a comprehensive bibliography.
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Front Matter
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1
Introduction
Jane E. Everson and others
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Part I Before reading – the image
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Part II From the Elizabethans to the Enlightenment
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Part III Gothic and Romantic Ariosto
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8
Ariosto in England in the Eighteenth Century: From Antipathy and Ambivalence to Enthusiasm
Jane E. Everson
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9
Lessons in Madness: The Orlando Furioso on the Eighteenth-Century Operatic Stage (with Special Reference to Handel)
Tim Carter
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10
Walter Scott and Ariosto’s Orlando Furioso
Susan Oliver
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11
Authorizing Ariosto: The Construction of Ariosto in Early Nineteenth-Century British Periodicals
Maureen McCue
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8
Ariosto in England in the Eighteenth Century: From Antipathy and Ambivalence to Enthusiasm
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Part IV Text and translation in the modern era
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12
Antonio Panizzi, Textual Editor of Ariosto
Marco Dorigatti
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13
The Furioso in Translation: ‘Lascivious’ Ariosto in Two Modern English Versions
Martin McLaughlin
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14
The Orlando Furioso, Writing and the Construction of Meaning
Nicola Gardini
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15
Entertainment and Irony: The Orlando Furioso from Modern to Postmodern
Stefano Jossa
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12
Antonio Panizzi, Textual Editor of Ariosto
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End Matter
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