Song in the Novel
Song in the Novel
Cite
Abstract
This volume investigates the variety of types of songs present in novels, from French romances, ballads, folk songs, opera, and opéra-comique, to café-concert music, blues and jazz, and more recent popular music. Contributions from literary scholars, musicologists, and cultural historians analyse novels written in a range of languages, including English, French, Italian, Russian, and Spanish. The volume explores the way that songs can be present in novels, from the inclusion of musical scores to broader practices of citation and allusion. It interrogates the function of song in the novel, considering its importance for plot, character, and setting. Finally, it addresses the reader’s involvement in these songs, whether through immediate recognition or further research, with the result that the reader may participate in what Lawrence Kramer describes as a ‘song pact’ with the author, an accord akin to the intimate connections between characters enabled through song in the novel.
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Front Matter
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Introduction
Jennifer Rushworth
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1
‘Elle se mit à chanter…’: A Reflection on Songs in 18th-Century French Fiction
Catriona Seth
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2
Integrating Song in the Novel: Lessons from the 18th Century
Martin Wålhberg
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3
‘A Taste for Music, or No’? Walter Scott’s Novels and Music
C M Jackson-Houlston
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4
Singing in Instalments: Giuseppe Rovani’s Cento anni (1856–64)
Cormac Newark
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5
Carmen’s Intertexts: Cervantes, Viardot, Mérimée, Bizet
Barry Ife
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6
Songs in the Laundry: Musical Meaning in Zola’s L’Assommoir
Hannah Scott
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7
Re-Joycing in Song: Love, Death, and Nationhood in Ulysses
Josh Torabi
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8
‘Extraordinary how potent cheap music is’: Memory, Nostalgia, and Affect in Gaito Gazdanov’s An Evening with Claire
Philip Ross Bullock
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9
Songs of Triumph: Claude McKay, Sonic Subcultures, and the Opéra-Comique
Hannah Huxley
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10
Singing the Dead Present: Reading Ali Smith’s Winter in the Middle Ages
Elizabeth Eva Leach
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Afterword: The Song Pact – How the Novel Sings
Lawrence Kramer
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End Matter
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