Demons of the Mind: Psychiatry and Cinema in the Long 1960s
Demons of the Mind: Psychiatry and Cinema in the Long 1960s
Chair of the Department of Interdisciplinary Studies in the Liberal Arts and Professor in Science and Technology Studies
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Abstract
In the 1960s, psychiatrists and other mental health professionals intervened in and influenced cinema culture in unprecedented ways, changing how films were conceived, produced, censored, exhibited and received by audiences.Drawing upon extensive archival research, Demons of the Mind provides the first interdisciplinary account of the complex contestations and cross-pollinations of the ‘psy’ sciences (psychiatry, psychoanalysis, psychology) and cinema in Britain and America during the defining ‘long 1960s’ period of the late-1950s to early-1970s. This interdisciplinary book incorporates expertise from film studies, history of science and medicine, and science communication. The originality of this book is not solely its interdisciplinarity, but its interest not predominantly in representation, which is the focus of other books on cinema and the psy professions, but in its emphasis on the concrete interactions between ideas, expertise and professionals within the fields of mental health and media.
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Front Matter
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Introduction: psychiatry, cinema and the long 1960s
Tim Snelson and others
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1
Morally acceptable madness: psychiatry, Catholics and censorship at the Legion of Decency
Tim Snelson and others
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2
The BBFC’s ‘psychiatrist friends’: psychiatric consultation and the British censors
Tim Snelson and others
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3
Freud goes to Hollywood: translating psychoanalysis to cinema
Tim Snelson and others
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4
Mad housewives and women’s liberation: the psychiatric reinvention of the ‘woman’s film’
Tim Snelson and others
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5
Radical collaborations: ‘anti-psychiatry’ on-screen
Tim Snelson and others
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6
Aetiology of a murder: forensic psychiatry and the evolution of true crime
Tim Snelson and others
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Conclusion: aftershocks
Tim Snelson and others
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End Matter
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