Situated Narratives and Sacred Dance: Performing the Entangled Histories of Cuba and West Africa
Situated Narratives and Sacred Dance: Performing the Entangled Histories of Cuba and West Africa
Cite
Abstract
Through a revolutionary ethnographic approach that foregrounds storytelling and performance as alternative means of knowledge, this book explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the transatlantic slave trade. The volume draws on two decades of research in four communities: Dzodze, Ghana; Adjodogou, Togo; and Perico and Agramonte, Cuba. In the ceremonies, oral narratives, and daily lives of individuals at each fieldsite, the authors not only identify shared attributes in religious expression across continents but also reveal lasting emotional, spiritual, and personal impacts in the communities whose ancestors were ripped from their homeland and enslaved. The authors layer historiographic data, interviews, and fieldnotes with artistic modes such as true fiction, memoir, and choreographed narrative, challenging the conventional nature of scholarship with insights gained from sensorial experience. Including reflections on the making of an art installation based on this research project, the volume challenges readers to imagine the potential of approaching fieldwork as artists. The authors argue that creative methods can convey truths deeper than facts, pointing to new possibilities for collaboration between scientists and artists with relevance to any discipline.
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Front Matter
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Introduction: Unfolding Layers
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Part 1 Situated Narratives, Embodied Memories: Living Oral Histories
Jill Flanders Crosby andJT Torres-
1
Theories and Methods of Artists Performing Fieldwork
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2
The Trouble with Arará, or All Things Religious Belong Together
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3
Perico and Agramonte: Sensorial Stories
Jill Flanders Crosby
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4
Perico
Jill Flanders Crosby andMelba Núñez Isalbe
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5
The Rememberer
JT Torres
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6
Agramonte
Jill Flanders Crosby
- 7 Becoming History: The Many Lives of Justo Zulueta
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8
The Notebooks
JT Torres
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9
French Gods and the Awán: Narrating Armando Zulueta
Jill Flanders Crosby
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10
Dzodze: Dancing with Dashi
Jill Flanders Crosby
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11
Adjodogou: In the Land of Vodu
Jill Flanders Crosby
- 12 Acts of Storytelling
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1
Theories and Methods of Artists Performing Fieldwork
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Part 2 Secrets Under the Skin: Sensing the Moment at the Intersection of Art and Research
Jill Flanders Crosby andJT Torres-
13
Narrating the Secrets Under the Skin Installation
Jill Flanders Crosby
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14
The Artist’s Accidental Proof: The Palm Frond and the Wood Block
Susan Matthews
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15
Photographic Insights: Ceremonial Ritual in Ghana and Togo
Brian Jeffery
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16
In listening/in response
Marianne M. Kim
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17
Witnessing and Sensing Stories
Melba Núñez Isalbe
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Conclusion: Participating in Metaculture
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Afterword
Jill Flanders Crosby
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13
Narrating the Secrets Under the Skin Installation
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End Matter
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