Lucas: His Hollywood Legacy
Lucas: His Hollywood Legacy
Associate Professor of History
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Abstract
George Lucas is an innovative and talented director, producer, and screenwriter whose prolific career spans decades. While he is best known as the creative mind behind the Star Wars franchise, Lucas first gained renown with his 1973 film American Graffiti, which received five Academy Award nominations, including Best Director and Best Picture. When Star Wars (1977) was released, the groundbreaking motion picture won six Academy Awards, became the highest grossing film at the time, and started a cultural revolution that continues to inspire generations of fans. Three decades and countless successes later, Lucas announced semiretirement in 2012 and sold his highly successful production company, Lucasfilm, to Disney. His achievements have earned him the Academy's Irving G. Thalberg Award, the American Film Institute's Life Achievement Award, induction into the Science Fiction Hall of Fame and the California Hall of Fame, and a National Medal of Arts presented by President Barack Obama. Lucas: His Hollywood Legacy is the first collection to bring a sustained scholarly perspective to the iconic filmmaker and his legacy beyond the Star Wars films. Edited by Richard Ravalli, this volume analyzes Lucas's overall contribution and importance to the film industry, diving deep into his use and development of modern special effects technologies, the history of his Skywalker Ranch production facilities, and more. With clearly written and enlightening critiques by experts consulting rare collections and archival materials, this book is an original and robust project that sets the standard for historical and cultural studies of Lucas.
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Front Matter
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Introduction
Richard Ravalli
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1
Reflections on George Lucas and Modesto
Dale Pollock
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2
Marcia Lucas: Her Life and Hollywood Legacy
Michael Kaminski
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3
“Are You Now, or Have You Ever Been?”: The Alienation of the Administered Society, Running to Freedom, and the Dystopianism of George Lucas’s THX 1138
John C. McDowell
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4
American Graffiti and More: The Scholarly and Aesthetic Legacies of an Inaugural Nostalgia Media Studies
Christine Sprengler
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5
A New Hope: From American Graffiti to Star Wars
Peter Krämer
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6
Writing about Star Wars: A Historiography of the Original Trilogy
Andrew Howe
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7
“Archaeology Is the Search for Fact … Not Truth”: How George Lucas and Indiana Jones Redefined Our Relationship with the Past
Janice Liedl
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8
From Sass to Seduction: The Ambiguously Tough Ladies of Star Wars and Indiana Jones
Valerie Estelle Frankel
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9
Researching the Lucasfilm Yearbooks: “Family—One Wife, One Disco-Boogie Baby, and 425 Foster Kids”
Julie Turnock
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10
Notes on the Lucas-Spielberg Syndrome
Jim Kendrick
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11
The Dislocations of Skywalker Ranch
Kenneth Hough
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12
Lucas Meets Luxo: Lucasfilm’s Computer Graphics Lab (CGL) and the Development of Pixar Animation Studios
Christopher Holliday andChris Pallant
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13
The Audience Is Listening: The Film Sound Legacy of George Lucas
Stephen Andriano-Moore
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14
LucasArts and the Hollywoodization of Video Games
Stefan Hall
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15
Franchise and Edutainment in the History of Lucasfilm Television
Joseph J. Darowski
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16
George and the Dinosaurs: George Lucas’s Contributions to The Land Before Time and Jurassic Park
Kathy Merlock Jackson
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17
Star Wars: Special Editions: Film Ownership and Cultural Implications
Patti McCarthy
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18
Changing Critical and Popular Responses to the Star Wars Prequels
Shanti Fader-Whitesides
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19
From Rebels to Emperors to Jedi Spirits: Walt Disney, George Lucas, and Their Fans
Craig Svonkin
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20
George Lucas in Museums
Kim Munson
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Postscript
Richard Ravalli
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End Matter
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